FIU Stamp Transparant

Waldo Bien

egaal

  Art in the future tense.   Interdisciplinary Research.   Social Sculpture.

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Joseph Beuys, La Rivoluzione siamo Noi

 

Raum 20 Klasse Beuys (The Beuys Class).
Beuys is Professor at the Staatliche Kunstakademie Düsseldorf from 1961 until 10-10 1972, the day on which he is discharged by the Education Minister Johannes Rau, for political reasons. Together with his students Beuys occupies the secretary's office of the Art Academy to contest the decision about the enrolment of students who have been refused admittance. He refers to a previous Senate decision which states that every teacher has the right to admit as many students to his, or, her, class as he, or she, sees fit. The sacking of Beuys is the beginning of a long legal and ideological dispute which is finally settled in favour of Beuys, with a judgement handed down at the highest legal level. The Beuys class is a site of transformation for a whole generation of outstanding artists - Sigmar Polke, Tadeus, Blinky Palermo, Katharina Sieverding, Reiner Ruthenbeck, Jörg Immendorf, Lothar Baumgarten, Immi Knoebel, Michael Rutkowsky, Anatol, Walter Dahn, Felix Droese, Johannes Stüttgen, Anselm Kiefer, and so on. The Beuys Klasse has several classrooms or working spaces at its disposal. Classroom 20 is one of the largest and becomes a central meeting place. The weekly 'group discussions' in which everyone is seated in a circle and accessible to everyone attracts a very diverse audience, especially on Friday, they are eagerly awaited meetings that no one likes to miss, and everyone is invited to make an active contribution, either in the form of an art-work, by commentary, suggestions or participating in the discourse.

 

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Raum 20 Arbeiten 1972

1973-003

Michael Rutkowsky 1971

1972-005

Michael Rutkowsky 1971a

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1972-002

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1973-002

1972-011

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Kunstakademie

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1972-012

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1978-001a

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1972-004

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1978-001

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